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Then, on the eve of that tour and the beginning of what would surely have been an international success story, the band's troubled lead singer, Ian Curtis, killed himself. 'We didn't really think about it afterwards. It just sort of happened. One day we were Joy Division, then our lead singer killed himself and the next time we got together, we were a new band...\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat band was New Order. Their distinctive sound - a fusion of post-punk and ground-breaking electronica - paved the way for the dance music explosion of the '80s and earned them the reputation as one of the most influential bands of their generation. 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Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution—and the way you hear its music.\u003c\/p\u003e","brand":"The Daily Planet","offers":[{"title":"Default Title","offer_id":31720057536646,"sku":"","price":18.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/5597\/products\/williamcult.jpg?v=1615404333"},{"product_id":"13th-floor-elevators-a-visual-history","title":"13th Floor Elevators: A Visual History","description":"\u003cp\u003eBorn out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the 13th Floor Elevators were formed in late 1965 when lyricist Tommy Hall asked a local singer named Roky Erickson to join up with his new rock outfit. 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In ten raw, heartbreaking oral histories woven through the book, fans living in the post-industrial Midwest discuss the successes and failures of the American dream as they are articulated in Nine Inch Nails' music. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDaphne Carr illuminates \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePretty Hate Machine\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e as at once singular and as representative of how popular music can impact history and change lives.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Daily Planet","offers":[{"title":"Default Title","offer_id":34825133949062,"sku":"","price":15.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/5597\/products\/phm.jpg?v=1612374843"},{"product_id":"33-1-3-various-artists-i-m-your-fan-the-songs-of-leonard-cohen","title":"33 1\/3 - Various Artists’ I’m Your Fan: The Songs of Leonard Cohen","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI'm Your Fan: The Songs of Leonard Cohen\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ehit stores in 1991, Leonard Cohen's career had plummeted from its revered 1960s high. Cohen's record label had refused to release his 1984 album \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVarious Positions\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e--including the song \"Hallelujah\"--in the United States. Luckily, Velvet Underground founder John Cale was one of the few who \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003edid\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e hear \"Hallelujah,\" and he covered it for \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI'm Your Fan\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a collection of Cohen's songs produced by a French fanzine. 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They can resuscitate legends' fading careers, or expose obscure artists who never had much of a career to begin with.\u003c\/span\u003e\u003cbr\u003e","brand":"The Daily Planet","offers":[{"title":"Default Title","offer_id":34825153937542,"sku":"","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/5597\/products\/lc.jpg?v=1602336569"},{"product_id":"33-1-3-wire-pink-flag","title":"33 1\/3 - Wire - Pink Flag","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn contrast with many of their punk peers, Wire were enigmatic and cerebral, always keeping a distance from the crowd. Although \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePink Flag\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eappeared before the end of 1977, it was already a meta-commentary on the punk scene and was far more revolutionary musically than the rest of the competition. Few punk bands moved beyond pared-down rock 'n' roll and garage rock, football-terrace sing-alongs or shambolic pub rock and, if we're honest, only a handful of punk records hold up today as anything other than increasingly quaint period pieces. While the majority of their peers flogged one idea to death and paid only lip service to punk's Year Zero credo, Wire took a genuinely radical approach, deconstructing song conventions, exploring new possibilities and consistently reinventing their sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHIS IS A CHORD. THIS IS ANOTHER. THIS IS A THIRD. 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Wire, however, showed more interesting ways of doing it once you'd formed that band and they found more compelling uses for those three mythical chords.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Daily Planet","offers":[{"title":"Default Title","offer_id":34825158721670,"sku":"","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/5597\/products\/wpf.jpg?v=1602336765"},{"product_id":"33-1-3-patti-smith-horses","title":"33 1\/3 - Patti Smith - Horses","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescribed as the perfect fusion of poetry and garage band rock and roll (the original concept was \"rock and Rimbaud\"), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHorses\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ebelongs as much to the world of literary and cultural criticism as it does to the realm of musicology. 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Their influence reaches across the spectrum of alternative musics—from psychedelia, prog and punk, through industrial, electronica and stoner rock—and they continue to inspire devotion from fans around the world. They’ve been positioned as heirs to both Pink Floyd and the Velvet Underground, and as Britain’s answer to the Grateful Dead and Krautrock. They’ve defined a genre—space rock—while operating on a frequency that’s uniquely their own.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFor a generation of young people growing up in an age of paranoia, with the planet on the brink of economic, ecological and nuclear catastrophe, Hawkwind offered a radical vision of sci-fi-inspired escapism. As commentators asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond, fanning the flames of mainstream resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn \u003cem\u003eDays Of The Underground\u003c\/em\u003e, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. Rejecting the accepted narrative that views the band as one long lysergic soap opera, he shows us just how revolutionary Hawkwind were and how enduring their legacy remains. 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