Release dateFirst published 2017
PublisherWhitechapel: Documents of Contemporary Art
Size210 x 145 mm
Part of the acclaimed Documents of Contemporary Art series of anthologies which collect writing on major themes and ideas in contemporary art.
"...not simply an excellent historical survey of artistic and curatorial identifications with and resistances to capitalist and post-productivist worlds of work; [Work] is also a deftly edited collection that makes a claim for cultural labour as essential to the working politics of our contemporary age."
-Andrea Phillips, PARSE Professor of Art and
Head of Research, Valand Academy,
University of Gothenburg
Warhol’s Factory of the 1960s, Minimalism’s assembly-line aesthetics, conceptual and feminist concern with workers’ conditions in the 1970s – these are among the antecedents of a renewed focus on the work of art: labour as artistic activity, method and engagement. This anthology explicitly investigates work in relation to contemporary art, surveying artistic strategies that grapple with the complexities of being an art worker in the new economy, a postproducer, a collaborator, a fabricator, a striker, an ethical campaigner, or would-be transformer of labour from oppression to liberation.
Artists surveyed include Pawel Althamer, Francis Alÿs, Marwa Arsanios, Chto Delat, Alice Creischer, Jeremy Deller, Harun Farocki, Claire Fontaine, Andrea Fraser, Liam Gillick, Melanie Gilligan, Gulf Labour Coalition, Goshka Macuga, Annette Messager, Gustav Metzger, Martha Rosler, Tino Sehgal, Santiago Sierra, Artur Zmjiewski.
Writers include Claire Bishop, Luc Boltanski, Julia Bryan-Wilson, Sabeth Buchmann, Kodwo Eshun, Maurizio Lazzarato, Achille Mbembe, Antonio Negri, Jacques Rancière, Dietmar Rübel, Paolo Virno.
Friederike Sigler is a researcher and lecturer at the Hochschule für Bildende Künst, Dresden. She is the author of Work/Strike (2017).